Apple Music brings together a series of works that explore the intersection between the architectural and the organic, forming a hybrid landscape built from PETG 3D prints and polystyrene modules. The installation integrates polished surfaces, modular geometries, and organism-like forms to create an environment in which industrial and biological aesthetics coexist in a state of productive ambiguity.
Throughout the composition, references to sound—speakers, resonances, latent vibrations—introduce a reading in which the volumes operate simultaneously as sculptural bodies and as potential acoustic devices. Conceived also as scenography for sound artist Niebvla, the work proposes a space meant not only to be viewed but also to be activated.
In this dialogue between technology and nature, Apple Music imagines artifacts that seem to evolve like organisms and organisms that function like machines, dissolving the boundary between living systems and technical systems.
